Buffalo Bill and the Indians, or Sitting Bull's History Lesson (1976)
<p><img border="0" src="http://images.amazon.com/images/P/6304411391.01.LZZZZZZZ.jpg" align="left" hspace="5"> Robert Altman was often ahead of his time--once at the cost of being behind himself. Buffalo Bill and the Indians, a snorting exposé of the U.S. predilection for buying into heroic myths, opened on July 4, 1976. Clearly the film was positioned as the ultimate bicentennial event, Altman-style. But Altman had already delivered that a year earlier: the splendiferous, deeply disenchanted yet exhilarating Nashville. Both Nashville and Buffalo Bill are films about America-as-show business, hucksterism, and the rare miracle of performance. But everything Altman got so thrillingly right in Nashville, which teems with life and mystery and widescreen dynamism, came out flatfooted and obvious in Buffalo Bill, a cramped, smirky inside joke that ends up being on the joker.
The setting is the base camp for Buffalo Bill Cody's Wild West Show, where the blustering Indian fighter of legend is gearing up for his latest national tour. Apart from sharpshooter Annie Oakley (Geraldine Chaplin) and her great friend, the Sioux chieftain Sitting Bull (Frank Kaquitts), the show is populated by phonies and opportunists. Biggest phony of all is Cody (Paul Newman), whose fame has been based more on the penny-dreadful scribblings of Ned Buntline (Burt Lancaster) than on any real accomplishments; even his long blond tresses are fake. Altman and cowriter Alan Rudolph (working from a play by Arthur Kopit) thump their insights about the Establishment's feet of clay as if they were breaking-news bulletins instead of countercultural clichés. Only the occasional ineffably mysterious Altman zoom shot offers relief. --Richard T. Jameson </p>
Starring: Paul Newman, Joel Grey
Director: Robert Altman
Studio: Mgm/Ua Studios
Aspect ratio 2.35 : 1
Voomer Reviews:
TVlman: Just watched a delightful film by Robert Altman on VOOM Cinema 10; "Buffalo Bill and The Indians" with Paul Newman, Will Sampson, Harvey Keitel,Burt Lancaster and many others. If the real west wasn't to Bill's liking he simply changed it to conform to the way he thought it should have been. High moment is when he hires Sitting Bull to re-enact Custer's Last Stand and when SB tells him how it really happened he doesn't like it so he re-invents it. Paul Newman is excellent as the whiskey-drinking myth-making legend and Robert Altman tells the story in his own style of overlapping dialgoue (M*A*S*H).
Also playing today is "Our Man In Havana" the Graham Greene satire on government agents and spies during the cold war. Alec Guiness plays a vacuum cleaner salesman who is lured by Noel Coward into helping his government in the spy game. Ernie Kovacs is also along for the laughs.
It's great to see these classic films in HDTV.